Music and Letters

Articles

Get checked abstract Jesse Rodin

Unresolved
Music and Letters 2009 90: 535-554; doi:10.1093/ml/gcp074 [Abstract] [Full Text] [PDF] [Request Permissions]  

Get checked abstract Donna M. Di Grazia

Funerall Teares or Dolefull Songes? Reconsidering Historical Connections and Musical Resemblances in Early English ‘Absalom’ Settings
Music and Letters 2009 90: 555-598; doi:10.1093/ml/gcp057 [Abstract] [Full Text] [PDF] [Request Permissions]  

Get checked abstract Ilias Chrissochoidis

Handel at a Crossroads: His 1737–1738 and 1738–1739 Seasons Re-Examined
Music and Letters 2009 90: 599-635; doi:10.1093/ml/gcp070 [Abstract] [Full Text] [PDF] [Request Permissions]  

Get checked abstract Mark Everist

‘Il n’y a qu’un Paris au monde, et j’y reviendrai planter mon drapeau!’: Rossini's Second Grand Opéra
Music and Letters 2009 90: 636-672; doi:10.1093/ml/gcp079 [Abstract] [Full Text] [PDF] [Request Permissions]  

Reviews of Books

Peter Van der Merwe

Sounds of the Metropolis: The Nineteenth-Century Popular Music Revolution in London, New York, Paris, and Vienna. By Derek B. Scott.
Music and Letters 2009 90: 673-675; doi:10.1093/ml/gcp076 [Full Text] [PDF] [Request Permissions]  

Sarah Fuller

Music Theory from Boethius to Zarlino: A Bibliography and Guide. By David Russell Williams and C. Matthew Balensuela.
Music and Letters 2009 90: 675-678; doi:10.1093/ml/gcp022 [Full Text] [PDF] [Request Permissions]  

RH

‘Noyses, Sounds and Sweet Aires’: Music in Early Modern England. Compiled and ed. by Jessie Ann Owens.
Music and Letters 2009 90: 678-681; doi:10.1093/ml/gcp028 [Full Text] [PDF] [Request Permissions]  

Jonathan E. Glixon

Song and Season: Science, Culture, and Theatrical Time in Early Modern Venice. By Eleanor Selfridge-Field. • A New Chronology of Venetian Opera and Related Genres, 1660–1760. By Eleanor Selfridge-Field.
Music and Letters 2009 90: 681-683; doi:10.1093/ml/gcp023 [Full Text] [PDF] [Request Permissions]  

Nicholas Lockey

Tonal Space in the Music of Antonio Vivaldi. By Bella Brover-Lubovsky.
Music and Letters 2009 90: 683-687; doi:10.1093/ml/gcp035 [Full Text] [PDF] [Request Permissions]  

Barry Cooper

1808 — ein Jahr mit Beethoven. Ed. by Ute Jung-Kaiser and Matthias Kruse.
Music and Letters 2009 90: 687-689; doi:10.1093/ml/gcp072 [Full Text] [PDF] [Request Permissions]  

R. Larry Todd

Fanny Hensels Chorwerke. By Stefan Wolitz.
Music and Letters 2009 90: 689-691; doi:10.1093/ml/gcp025 [Full Text] [PDF] [Request Permissions]  

Francis Maes

History of Music in Russia from Antiquity to 1800. Volume 1: From Antiquity to the Beginning of the Eighteenth Century; Volume 2: The Eighteenth Century. By Nikolai Findeizen. Ed. by Milo Velimirovi and Claudia R. Jensen; trans. by Samuel William Pring.
Music and Letters 2009 90: 691-693; doi:10.1093/ml/gcp043 [Full Text] [PDF] [Request Permissions]  

Laura Tunbridge

Poetry and the Romantic Musical Aesthetic. By James H. Donelan.
Music and Letters 2009 90: 693-695; doi:10.1093/ml/gcp020 [Full Text] [PDF] [Request Permissions]  

Susan Rutherford

Opera from the Greek: Studies in the Poetics of Appropriation. By Michael Ewans.
Music and Letters 2009 90: 695-697; doi:10.1093/ml/gcp046 [Full Text] [PDF] [Request Permissions]  

Ingrid J. Sykes

Elizabeth Stirling and the Musical Life of Female Organists in Nineteenth-Century England. By Judith Barger.
Music and Letters 2009 90: 697-699; doi:10.1093/ml/gcp047 [Full Text] [PDF] [Request Permissions]  

Ingrid Sykes

Looking and Listening in Nineteenth-Century France. Ed. by Martha Ward and Anne Leonard. • Musique, esthétique et société au XIXe siècle. Ed. by Damien Colas, Florence Gétreau, and Malou Haine.
Music and Letters 2009 90: 699-700; doi:10.1093/ml/gcp048 [Full Text] [PDF] [Request Permissions]  

Joseph Acquisto

Mallarmé and Wagner: Music and Poetic Language. By Heath Lees with extracts translated from the French by Rosemary Lloyd.
Music and Letters 2009 90: 701-703; doi:10.1093/ml/gcp071 [Full Text] [PDF] [Request Permissions]  

Julian Johnson

Discovering Mahler: Writings on Mahler 1955–2005. By Donald Mitchell. • The Cambridge Companion to Mahler. Ed. by Jeremy Barham.
Music and Letters 2009 90: 703-707; doi:10.1093/ml/gcp073 [Full Text] [PDF] [Request Permissions]  

John Tyrrell

Leo Janáek: Thema con variazioni: korespondence s manelkou Zdekou a dcerou Olgou. Ed. by Svatava Pibáová.
Music and Letters 2009 90: 707-709; doi:10.1093/ml/gcp026 [Full Text] [PDF] [Request Permissions]  

John Tyrrell

Emerik Beran (1868–1940) Samotni Svetovljan. by Jernej Weiss.
Music and Letters 2009 90: 709-711; doi:10.1093/ml/gcp036 [Full Text] [PDF] [Request Permissions]  

Stephen Downes

Western Music and Race. Ed. by Julie Brown.
Music and Letters 2009 90: 712-714; doi:10.1093/ml/gcp041 [Full Text] [PDF] [Request Permissions]  

Pauline Fairclough

Sergey Prokofiev, Diaries 1915–1923: Behind the Mask. Translated and annotated by Anthony Phillips.
Music and Letters 2009 90: 714-716; doi:10.1093/ml/gcp021 [Full Text] [PDF] [Request Permissions]  

Christina K. Guillaumier

Prokofiev's Piano Sonatas. By Boris Berman.
Music and Letters 2009 90: 717-719; doi:10.1093/ml/gcp027 [Full Text] [PDF] [Request Permissions]  

Pauline Fairclough

Prokofiev and his World. Ed. by Simon Morrison. • The People's Artist. Prokofiev's Soviet Years. By Simon Morrison.
Music and Letters 2009 90: 719-722; doi:10.1093/ml/gcp034 [Full Text] [PDF] [Request Permissions]  

Michael Russ

Analyzing Atonal Music: Pitch-Class Set Theory and Its Contexts. By Michiel Schuijer.
Music and Letters 2009 90: 722-725; doi:10.1093/ml/gcp075 [Full Text] [PDF] [Request Permissions]  

Arnold Whittall

Elliott Carter: A Centennial Celebration. Ed. by Marc Ponthus and Susan Tang. • Elliott Carter: A Centennial Portrait in Letters and Documents. Ed. by Felix Meyer and Anne C. Shreffler.
Music and Letters 2009 90: 725-727; doi:10.1093/ml/gcp077 [Full Text] [PDF] [Request Permissions]  

Abigail Wood

Jewish Music and Modernity. By Philip Bohlman.
Music and Letters 2009 90: 727-730; doi:10.1093/ml/gcp078 [Full Text] [PDF] [Request Permissions]  

Erratum

J. P. E. Harper Scott, Twentieth-Century British Authors and the Rise of Opera in Britain. By Irene Morra, Music & Letters, 90 (2009), 495-8 at 497
Music and Letters 2009 90: 731; doi:10.1093/ml/gcp082 [Full Text] [PDF] [Request Permissions]  

The Westrup Prize

The Westrup Prize
Music and Letters 2009 90: 732; doi:10.1093/ml/gcp083 [Full Text] [PDF] [Request Permissions]  

Recipients of 'Music & Letters' Awards

Recipients of ‘Music & Letters’ Awards
Music and Letters 2009 90: 732; doi:10.1093/ml/gcp090 [Full Text] [PDF] [Request Permissions]  

Notes to Contributors

Notes to Contributors
Music and Letters 2009 90: 733; doi:10.1093/ml/gcp084 [Full Text] [PDF] [Request Permissions]  

'Music & Letters' Awards

‘Music & Letters’ Awards
Music and Letters 2009 90: 734; doi:10.1093/ml/gcp085 [Full Text] [PDF] [Request Permissions]  

Authors of Articles in this Issue

Authors of Articles in this Issue
Music and Letters 2009 90: 734; doi:10.1093/ml/gcp086 [Full Text] [PDF] [Request Permissions]  

Books Received

Books Received
Music and Letters 2009 90: 735-736; doi:10.1093/ml/gcp087 [Full Text] [PDF] [Request Permissions]  

Reviews of Books: Index

Reviews of Books: Index
Music and Letters 2009 90: iii-v; doi:10.1093/ml/gcp089 [Full Text] [PDF] [Request Permissions]  

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